La Agrupación Discepolín. Articulaciones entre política y teatro en Rosario durante los ochenta

The deregulation of the control and discipline mechanisms that society experienced after the fall of the military dictatorship (76-83) was intensely expressed in the theater, opening new forms of articulation between theater and politics. In this sense, the experience Discepolín from Rosario&nbs...

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Autor principal: Logiódice, María Julia
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2012
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Acceso en línea:https://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/8953
https://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=8953_oai
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Sumario:The deregulation of the control and discipline mechanisms that society experienced after the fall of the military dictatorship (76-83) was intensely expressed in the theater, opening new forms of articulation between theater and politics. In this sense, the experience Discepolín from Rosario  appears as a privileged object for analyzing the breaks and continuities in the bond between theater and politics when compared with the "political theater" of the seventies. In this paper I seek to reconstruct the trajectory of this group, reviewing its origin, its methodologies for creation, its works, its organizational forms and its ideas about theater and politics.