Scenic and Performatic bodies: Memory and Poetic Subjectivity

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Every cultural representation of the body involves, more or less explicitly, a web of worldviews, social values, conceptions and knowledge about bodyhood and the way art produces and organizes them.We intend to investigate some possible ways in which memory is inscribed in the body, within performat...

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Autor principal: Díaz, Silvina
Formato: Artículo publishedVersion
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad de Buenos Aires 2021
Materias:
Body
Performance
Theatre
Memory
Liminality
cuerpo
performance
teatro
memoria
Liminalidad
Acceso en línea:http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10241
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10241_oai
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Repositorio Digital de la Universidad de Buenos Aires (UBA) de Universidad de Buenos Aires
id I28-R145-10241_oai
record_format dspace
spelling I28-R145-10241_oai2023-03-13 Díaz, Silvina 2021-05-26 Every cultural representation of the body involves, more or less explicitly, a web of worldviews, social values, conceptions and knowledge about bodyhood and the way art produces and organizes them.We intend to investigate some possible ways in which memory is inscribed in the body, within performatic or scenic practices that appear as a result of research processes and incorporate languages of various arts. They suggest the conception of a plural body (Citro), crossed by multiple inscriptions, while bodily writings design social territories and political cartographies. Both in the case of socio-aesthetic practices that break into the public space and in those stage-based experiences in which the actor or actress becomes the central element of creative work, the body, as support, matter and action (Barría Jara) remains the true political and aesthetic core in which individual and collective memory is recorded and reconstructed.  Toda representación cultural del cuerpo conlleva, de un modo más o menos explícito, un entramado de visiones de mundo, valores sociales, concepciones y saberes sobre la corporalidad y sobre la manera en que el arte los produce y los organiza. Nos proponemos indagar en algunos modos posibles en que la memoria se inscribe en el cuerpo, en el seno de prácticas performáticas o escénicas que aparecen como resultado de procesos de investigación e incorporan lenguajes de diversas artes. En ellas se sugiere la concepción de un cuerpo plural (Citro), atravesado por múltiples inscripciones, al tiempo que las escrituras corporales diseñan los territorios sociales y las cartografías políticas. Tanto en lo que se refiere a las prácticas socio- estéticas que irrumpen en el espacio público, como a aquellas experiencias escénicas en que el actor o la actriz deviene el elemento central del trabajo creativo, su cuerpo -en tanto soporte, materia y acción (Barría Jara)- continúa siendo el verdadero núcleo político y estético en el que se inscribe y se reconstruye la memoria individual y colectiva. application/pdf text/html http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10241 10.34096/tdf.n33.10241 spa Facultad de Filosofía y Letras, Universidad de Buenos Aires http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10241/9131 http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10241/9158 Derechos de autor 2021 telondefondo. Revista de Teoría y Crítica Teatral https://creativecommons.org/licenses/by-sa/4.0 telondefondo. Revista de Teoría y Crítica Teatral; Núm. 33 (2021) 1669-6301 Body Performance Theatre Memory Liminality cuerpo performance teatro memoria Liminalidad Scenic and Performatic bodies: Memory and Poetic Subjectivity Cuerpos escénicos y performáticos: memoria y subjetividad poética info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10241_oai
institution Universidad de Buenos Aires
institution_str I-28
repository_str R-145
collection Repositorio Digital de la Universidad de Buenos Aires (UBA)
language Español
orig_language_str_mv spa
topic Body
Performance
Theatre
Memory
Liminality
cuerpo
performance
teatro
memoria
Liminalidad
spellingShingle Body
Performance
Theatre
Memory
Liminality
cuerpo
performance
teatro
memoria
Liminalidad
Díaz, Silvina
Scenic and Performatic bodies: Memory and Poetic Subjectivity
topic_facet Body
Performance
Theatre
Memory
Liminality
cuerpo
performance
teatro
memoria
Liminalidad
description Every cultural representation of the body involves, more or less explicitly, a web of worldviews, social values, conceptions and knowledge about bodyhood and the way art produces and organizes them.We intend to investigate some possible ways in which memory is inscribed in the body, within performatic or scenic practices that appear as a result of research processes and incorporate languages of various arts. They suggest the conception of a plural body (Citro), crossed by multiple inscriptions, while bodily writings design social territories and political cartographies. Both in the case of socio-aesthetic practices that break into the public space and in those stage-based experiences in which the actor or actress becomes the central element of creative work, the body, as support, matter and action (Barría Jara) remains the true political and aesthetic core in which individual and collective memory is recorded and reconstructed. 
format Artículo
publishedVersion
author Díaz, Silvina
author_facet Díaz, Silvina
author_sort Díaz, Silvina
title Scenic and Performatic bodies: Memory and Poetic Subjectivity
title_short Scenic and Performatic bodies: Memory and Poetic Subjectivity
title_full Scenic and Performatic bodies: Memory and Poetic Subjectivity
title_fullStr Scenic and Performatic bodies: Memory and Poetic Subjectivity
title_full_unstemmed Scenic and Performatic bodies: Memory and Poetic Subjectivity
title_sort scenic and performatic bodies: memory and poetic subjectivity
publisher Facultad de Filosofía y Letras, Universidad de Buenos Aires
publishDate 2021
url http://revistascientificas.filo.uba.ar/index.php/telondefondo/article/view/10241
http://repositoriouba.sisbi.uba.ar/gsdl/cgi-bin/library.cgi?a=d&c=telonde&d=10241_oai
work_keys_str_mv AT diazsilvina scenicandperformaticbodiesmemoryandpoeticsubjectivity
AT diazsilvina cuerposescenicosyperformaticosmemoriaysubjetividadpoetica
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