A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text
In the artisans’ plot, one of the four intertwined narratives of “A Midsummer Night’s Dream”, Shakespeare thematizes the procedures of textual appropriation and the collaborative processes used for the creation of a spectacle. The bard does not only insert the metatheatrical device of the play withi...
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Formato: | Artículo publishedVersion |
Lenguaje: | Portugués |
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Revista de Letras
2012
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Materias: | |
Acceso en línea: | http://seer.fclar.unesp.br/letras/article/view/5109 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-048&d=article5109oai |
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I16-R122-article5109oai |
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record_format |
dspace |
institution |
Consejo Latinoamericano de Ciencias Sociales |
institution_str |
I-16 |
repository_str |
R-122 |
collection |
Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO) |
language |
Portugués |
topic |
Shakespeare; A Midsummer Night’s Dream; Metalanguage; Textual appropriation; Stage adaptation; Cultural imaginary; Shakespeare; Sonho de uma noite de verão; Metalinguagem; Apropriação textual; Adaptação cênica; Imaginário cultural; |
spellingShingle |
Shakespeare; A Midsummer Night’s Dream; Metalanguage; Textual appropriation; Stage adaptation; Cultural imaginary; Shakespeare; Sonho de uma noite de verão; Metalinguagem; Apropriação textual; Adaptação cênica; Imaginário cultural; Camati, Anna Stegh A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text |
topic_facet |
Shakespeare; A Midsummer Night’s Dream; Metalanguage; Textual appropriation; Stage adaptation; Cultural imaginary; Shakespeare; Sonho de uma noite de verão; Metalinguagem; Apropriação textual; Adaptação cênica; Imaginário cultural; |
description |
In the artisans’ plot, one of the four intertwined narratives of “A Midsummer Night’s Dream”, Shakespeare thematizes the procedures of textual appropriation and the collaborative processes used for the creation of a spectacle. The bard does not only insert the metatheatrical device of the play within the play, but inscribes within his text the mechanisms of adaptation from page to stage, including conception, production and reception. Besides illuminating issues, such as the representation of reality and the breaking of dramatic illusion, Shakespeare’s text can also be read as a ludic and metacritical reflection on his own dramaturgy which establishes a dialogue with the appropriation/adaptation theories discussed by contemporary critics. |
format |
Artículo publishedVersion Artículo publishedVersion |
author |
Camati, Anna Stegh |
author_facet |
Camati, Anna Stegh |
author_sort |
Camati, Anna Stegh |
title |
A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text |
title_short |
A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text |
title_full |
A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text |
title_fullStr |
A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text |
title_full_unstemmed |
A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text |
title_sort |
midsummer night’s dream: the inscription of the process of stage adaptation within shakespeare’s text |
publisher |
Revista de Letras |
publishDate |
2012 |
url |
http://seer.fclar.unesp.br/letras/article/view/5109 http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-048&d=article5109oai |
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Repositorios |
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