A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text

In the artisans’ plot, one of the four intertwined narratives of “A Midsummer Night’s Dream”, Shakespeare thematizes the procedures of textual appropriation and the collaborative processes used for the creation of a spectacle. The bard does not only insert the metatheatrical device of the play withi...

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Detalles Bibliográficos
Autor principal: Camati, Anna Stegh
Formato: Artículo publishedVersion
Lenguaje:Portugués
Publicado: Revista de Letras 2012
Materias:
Acceso en línea:http://seer.fclar.unesp.br/letras/article/view/5109
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-048&d=article5109oai
Aporte de:
id I16-R122-article5109oai
record_format dspace
institution Consejo Latinoamericano de Ciencias Sociales
institution_str I-16
repository_str R-122
collection Red de Bibliotecas Virtuales de Ciencias Sociales (CLACSO)
language Portugués
topic Shakespeare; A Midsummer Night’s Dream; Metalanguage; Textual appropriation; Stage adaptation; Cultural imaginary;
Shakespeare; Sonho de uma noite de verão; Metalinguagem; Apropriação textual; Adaptação cênica; Imaginário cultural;
spellingShingle Shakespeare; A Midsummer Night’s Dream; Metalanguage; Textual appropriation; Stage adaptation; Cultural imaginary;
Shakespeare; Sonho de uma noite de verão; Metalinguagem; Apropriação textual; Adaptação cênica; Imaginário cultural;
Camati, Anna Stegh
A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text
topic_facet Shakespeare; A Midsummer Night’s Dream; Metalanguage; Textual appropriation; Stage adaptation; Cultural imaginary;
Shakespeare; Sonho de uma noite de verão; Metalinguagem; Apropriação textual; Adaptação cênica; Imaginário cultural;
description In the artisans’ plot, one of the four intertwined narratives of “A Midsummer Night’s Dream”, Shakespeare thematizes the procedures of textual appropriation and the collaborative processes used for the creation of a spectacle. The bard does not only insert the metatheatrical device of the play within the play, but inscribes within his text the mechanisms of adaptation from page to stage, including conception, production and reception. Besides illuminating issues, such as the representation of reality and the breaking of dramatic illusion, Shakespeare’s text can also be read as a ludic and metacritical reflection on his own dramaturgy which establishes a dialogue with the appropriation/adaptation theories discussed by contemporary critics.
format Artículo
publishedVersion
Artículo
publishedVersion
author Camati, Anna Stegh
author_facet Camati, Anna Stegh
author_sort Camati, Anna Stegh
title A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text
title_short A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text
title_full A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text
title_fullStr A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text
title_full_unstemmed A Midsummer night’s dream: the inscription of the process of stage adaptation within Shakespeare’s text
title_sort midsummer night’s dream: the inscription of the process of stage adaptation within shakespeare’s text
publisher Revista de Letras
publishDate 2012
url http://seer.fclar.unesp.br/letras/article/view/5109
http://biblioteca.clacso.edu.ar/gsdl/cgi-bin/library.cgi?a=d&c=br/br-048&d=article5109oai
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