(Pos)dictatorship: anti-establishment and dissenting strategies in the dramaturgy of Susana Torres Molina

Considering the political nature of theater and the performative action in the theatrical space, this essay analyzes Argentinian dramatist Susana Torres Molina's trilogy Esa extraña forma de pasión (2013), La fundación (2019), and Un domingo en familia. The objective of this analysis is to obse...

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Autor principal: Sandoval-Leon, Osvaldo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2021
Materias:
(Pos)dictadura
Teatro
Violencia
Trauma
Testimonio
(Post)dictatorship
Theater
Violence
Testimony
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4936
Aporte de:
Cuadernos del CILHA de Universidad Nacional de Cuyo
id I11-R112article-4936
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-112
container_title_str Cuadernos del CILHA
language Español
format Artículo revista
topic (Pos)dictadura
Teatro
Violencia
Trauma
Testimonio
(Post)dictatorship
Theater
Violence
Trauma
Testimony
spellingShingle (Pos)dictadura
Teatro
Violencia
Trauma
Testimonio
(Post)dictatorship
Theater
Violence
Trauma
Testimony
Sandoval-Leon, Osvaldo
(Pos)dictatorship: anti-establishment and dissenting strategies in the dramaturgy of Susana Torres Molina
topic_facet (Pos)dictadura
Teatro
Violencia
Trauma
Testimonio
(Post)dictatorship
Theater
Violence
Trauma
Testimony
author Sandoval-Leon, Osvaldo
author_facet Sandoval-Leon, Osvaldo
author_sort Sandoval-Leon, Osvaldo
title (Pos)dictatorship: anti-establishment and dissenting strategies in the dramaturgy of Susana Torres Molina
title_short (Pos)dictatorship: anti-establishment and dissenting strategies in the dramaturgy of Susana Torres Molina
title_full (Pos)dictatorship: anti-establishment and dissenting strategies in the dramaturgy of Susana Torres Molina
title_fullStr (Pos)dictatorship: anti-establishment and dissenting strategies in the dramaturgy of Susana Torres Molina
title_full_unstemmed (Pos)dictatorship: anti-establishment and dissenting strategies in the dramaturgy of Susana Torres Molina
title_sort (pos)dictatorship: anti-establishment and dissenting strategies in the dramaturgy of susana torres molina
description Considering the political nature of theater and the performative action in the theatrical space, this essay analyzes Argentinian dramatist Susana Torres Molina's trilogy Esa extraña forma de pasión (2013), La fundación (2019), and Un domingo en familia. The objective of this analysis is to observe the textual and performative practice of theater as a space for creation, negotiation, and encounter to display the effects of systematized violence against social and marginalized sectors of political opposition, taking into account a neoliberal culture, as well as necropolitical and religious models. Although it has been almost forty years since the return of democracy in Argentina, the social trauma, beyond being identified by the event that caused it, persists in the structure of its experience, reception, consumption, and progressive repetition in the present. In the last decade, Torres Molina has reconstructed and redefined the Argentine dictatorial past through her theater, which invites us to reflect on the relevance of the painful but necessary retroactive looks and their effects in the XXI century.
publisher Centro Interdisciplinario de Literatura Hispanoamericana (CILHA)
publishDate 2021
url https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/4936
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