The turns in La sangre de la aurora: The aesthetic of fragment and the remain

The border of what is recognizable and sensitive, and what it is not, are delimited in the dispute between the word and the scream; the sentence and the noise (Rancière, 2011). In the historic account it is configurated and organized what remains inside and outside. From the Final Report (2003), abo...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Peña Iguarán, Alina
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro Interdisciplinario de Literatura Hispanoamericana (CILHA) 2020
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/cilha/article/view/3291
Aporte de:

Ejemplares similares