Cinema and the sky

From a Bergsonian perspective that equals matter to image, this work undertakes an investigation of the possible relationship between two types of images: images produced by astronomical observation and cinematic images. Through the example of the eclipse –an astronomical event of misleading reality...

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Autor principal: Gutiérrez Urquijo , Gonzalo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones Interdisciplinarias de Filosofía en la Escuela (CIIFE) 2020
Materias:
cielo
cine
imagen
pensamiento
sky
cinema
image
thought
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/saberesypracticas/article/view/4001
Aporte de:
Saberes y prácticas. Revista de Filosofía y Educación de Universidad Nacional de Cuyo
id I11-R110article-4001
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-110
container_title_str Saberes y prácticas. Revista de Filosofía y Educación
language Español
format Artículo revista
topic cielo
cine
imagen
pensamiento
sky
cinema
image
thought
spellingShingle cielo
cine
imagen
pensamiento
sky
cinema
image
thought
Gutiérrez Urquijo , Gonzalo
Cinema and the sky
topic_facet cielo
cine
imagen
pensamiento
sky
cinema
image
thought
author Gutiérrez Urquijo , Gonzalo
author_facet Gutiérrez Urquijo , Gonzalo
author_sort Gutiérrez Urquijo , Gonzalo
title Cinema and the sky
title_short Cinema and the sky
title_full Cinema and the sky
title_fullStr Cinema and the sky
title_full_unstemmed Cinema and the sky
title_sort cinema and the sky
description From a Bergsonian perspective that equals matter to image, this work undertakes an investigation of the possible relationship between two types of images: images produced by astronomical observation and cinematic images. Through the example of the eclipse –an astronomical event of misleading reality– we begin asking about historical changes in the conceptions of the sky. For this purpose we presuppose a paradoxical relationship between sky and thought which, borrowing the Levistraussian idea of a floating significant, puts both terms in a state of immeasurable relationship. From this scheme, we move on to analyze the well-known trope according to which the birth of modernity would rest on the breaking down of the hierarchies and orientations of the Aristotelian Cosmos. Evaluating our contemporary situation through an inability to extract meaning from the sky, we are led to take Deleuze’s reading of Bergson as a guide to find in cinema a possible way out of our contemporary impasse: the modern heritage that lies in a structural homology between ontological dualism and epistemological naturalism.
publisher Centro de Investigaciones Interdisciplinarias de Filosofía en la Escuela (CIIFE)
publishDate 2020
url https://revistas.uncu.edu.ar/ojs3/index.php/saberesypracticas/article/view/4001
work_keys_str_mv AT gutierrezurquijogonzalo cinemaandthesky
AT gutierrezurquijogonzalo elcineyelcielo
first_indexed 2022-06-20T13:42:32Z
last_indexed 2022-06-20T13:42:32Z
bdutipo_str Revistas
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