From sweetness to appeal: towards a typology of lullabies based on Lorca’s ideas
As a part of children’s literature, and having an evident communication simplicity, cradle songs are a genre that encourage the analysis of the child representation underlying each text. From this point of view, we consider we are able to understand and amplify the typology established by García Lor...
Guardado en:
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
2019
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| Acceso en línea: | https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2354 |
| Aporte de: |
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I11-R103article-2354 |
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ojs |
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Universidad Nacional de Cuyo |
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I-11 |
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R-103 |
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Boletín GEC |
| language |
Español |
| format |
Artículo revista |
| topic |
canciones de cuna tipología Federico García Lorca enunciación imagen de niño cradle songs typology Federico García Lorca utterance child representation |
| spellingShingle |
canciones de cuna tipología Federico García Lorca enunciación imagen de niño cradle songs typology Federico García Lorca utterance child representation di Marco, Marina From sweetness to appeal: towards a typology of lullabies based on Lorca’s ideas |
| topic_facet |
canciones de cuna tipología Federico García Lorca enunciación imagen de niño cradle songs typology Federico García Lorca utterance child representation |
| author |
di Marco, Marina |
| author_facet |
di Marco, Marina |
| author_sort |
di Marco, Marina |
| title |
From sweetness to appeal: towards a typology of lullabies based on Lorca’s ideas |
| title_short |
From sweetness to appeal: towards a typology of lullabies based on Lorca’s ideas |
| title_full |
From sweetness to appeal: towards a typology of lullabies based on Lorca’s ideas |
| title_fullStr |
From sweetness to appeal: towards a typology of lullabies based on Lorca’s ideas |
| title_full_unstemmed |
From sweetness to appeal: towards a typology of lullabies based on Lorca’s ideas |
| title_sort |
from sweetness to appeal: towards a typology of lullabies based on lorca’s ideas |
| description |
As a part of children’s literature, and having an evident communication simplicity, cradle songs are a genre that encourage the analysis of the child representation underlying each text. From this point of view, we consider we are able to understand and amplify the typology established by García Lorca to depict Spanish lullabies in his conference "Las nanas infantiles" (1928). This article aims to propose a typology comprehensive not only of folk anonymous cradle songs, but also of poems written by known authors that reproduce the basic scheme of the genre. Open to mutual hybridization, the categories here presented are meant to be tools for further interpretations. So, we pay attention to semantic and pragmatic aspects of cradle songs: the generation of a new perceptive space and the duality of tones, that duality that reflects "”as Cerrillo Torremocha says"” "the duality of life itself ["¦], whit its obsessions, its loves and its hopes".
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| publisher |
Facultad de Filosofía y Letras, Universidad Nacional de Cuyo |
| publishDate |
2019 |
| url |
https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2354 |
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2022-06-20T13:38:29Z |
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