The translation of a literary classic to the screen: Blood Wedding and The Bride, between faithfulness and betrayal

The Bride (2015), a film adaptation of Blood Wedding directed by Paula Ortiz, is not an exact translation of the play to the cinematographic language. The filmmaker from Zaragoza opts for a free adaptation, creating an autonomous work of art. By focusing on some of the most relevant variations betwe...

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Autor principal: Alcalde, Verónica
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Letras, Universidad Nacional de Cuyo 2019
Materias:
Acceso en línea:https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2287
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id I11-R103article-2287
record_format ojs
institution Universidad Nacional de Cuyo
institution_str I-11
repository_str R-103
container_title_str Boletín GEC
language Español
format Artículo revista
topic Federico García Lorca
Paula Ortiz
Bodas de sangre
Literatura y cine
Federico García Lorca
Paula Ortiz
Blood Wedding
Literature and cinema
spellingShingle Federico García Lorca
Paula Ortiz
Bodas de sangre
Literatura y cine
Federico García Lorca
Paula Ortiz
Blood Wedding
Literature and cinema
Alcalde, Verónica
The translation of a literary classic to the screen: Blood Wedding and The Bride, between faithfulness and betrayal
topic_facet Federico García Lorca
Paula Ortiz
Bodas de sangre
Literatura y cine
Federico García Lorca
Paula Ortiz
Blood Wedding
Literature and cinema
author Alcalde, Verónica
author_facet Alcalde, Verónica
author_sort Alcalde, Verónica
title The translation of a literary classic to the screen: Blood Wedding and The Bride, between faithfulness and betrayal
title_short The translation of a literary classic to the screen: Blood Wedding and The Bride, between faithfulness and betrayal
title_full The translation of a literary classic to the screen: Blood Wedding and The Bride, between faithfulness and betrayal
title_fullStr The translation of a literary classic to the screen: Blood Wedding and The Bride, between faithfulness and betrayal
title_full_unstemmed The translation of a literary classic to the screen: Blood Wedding and The Bride, between faithfulness and betrayal
title_sort translation of a literary classic to the screen: blood wedding and the bride, between faithfulness and betrayal
description The Bride (2015), a film adaptation of Blood Wedding directed by Paula Ortiz, is not an exact translation of the play to the cinematographic language. The filmmaker from Zaragoza opts for a free adaptation, creating an autonomous work of art. By focusing on some of the most relevant variations between tragedy and its translation, such as space and time, we reflect on its possible causes and the interesting repercussions on the audiovisual text. We show that taking distance from the text Ortiz achieves the resonances of the spirit and aesthetics of Lorca. In other words, she is more "faithful" to the work of Federico García Lorca when she assumes the risk of "treason".
publisher Facultad de Filosofía y Letras, Universidad Nacional de Cuyo
publishDate 2019
url https://revistas.uncu.edu.ar/ojs3/index.php/boletingec/article/view/2287
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