A poetics of the unfinished: a look at the film Moscow by Eduardo Coutinho

The article discusses Eduardo Coutinho´s film Moscow as a unique case in the filmography of this documentalist, in which the film-work turns to a theatrical creation process that has no other end that the film itself. Instead of opening the eye of the camera to testimonies or scenes from “real life”...

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Detalles Bibliográficos
Autor principal: Sobral Costa, Anamaria
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2013
Materias:
Cine y teatro
Realidad y ficción
Proceso creativo
Eduardo Coutinho
Enrique Díaz
Cinema and Theatre
Reality and fiction
Creative process
Enrique Diaz
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/9331
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba

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