Regal Serialities. Tv Series And Scenographies Of Female Body.
The recent rights acquisition of the novel Santa Evita (1995) by FOX inaugurates a productive scenario to attend to certain displacement of senses at a cross-cultural level. In terms of a cultural semiotics, translation appears as a privileged category to evaluate these spaces of active dialogue tha...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/21067 |
| Aporte de: |
| Sumario: | The recent rights acquisition of the novel Santa Evita (1995) by FOX inaugurates a productive scenario to attend to certain displacement of senses at a cross-cultural level. In terms of a cultural semiotics, translation appears as a privileged category to evaluate these spaces of active dialogue that show the dynamism of art texts and the way in which they become semiotic customs for an adaptive elaboration. From this perspective, the complex text of Eloy Martínez offers multiple angles that, assembled in his narrative, translate the myth of Evita from a problematic that also seems to be a reiterative of North American TV series: the political construction of the female body. Our objective is to propose a provisional note to think about the semiotic functions that cross the distances between physical body and political body, around an "exceptional" female subject in recent narratives as House of Cards (2013) and The Crown (2016). Our hypothesis holds that these aesthetic routes seem to be paving the way for a new international translation of Eva Perón. In this sense, Santa Evita would be drawing symbolic lines that fit an idea of corporality and scenography of power that the contemporary political-aesthetic order puts into question. |
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