Mode(s) of Existence of Dance
When epistemological perspectives become insufficient to contain objects that escape that privileged point of view, it is necessary to review the reasons for these insufficiencies, and propose other plans, other cuts that can offer a fuller reality on the modes of existence that are weak for those e...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Editorial de la Facultad de Artes
2024
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/avances/article/view/45506 |
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| Sumario: | When epistemological perspectives become insufficient to contain objects that escape that privileged point of view, it is necessary to review the reasons for these insufficiencies, and propose other plans, other cuts that can offer a fuller reality on the modes of existence that are weak for those epistemologies. In the development of this writing we will try to remove the obstacles that the modes of existence of dance encounter, making alliances with philosophers like Étienne Souriau (2017, 2021), who offers us the concept of virtual existence in a mobile ontology, which can “see” and make others see, these forms of weak existences of dance, but yet full of potency. |
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