Netflix is burning: countersexuality and HIV-Aids in Pose
The article focus on the reflection about the ways in which Pose, a series firstly broadcasted by FX (and then available on Netflix streaming platform), questions the hegemonic mechanisms that set up the gender and identity order within the U.S. society by the end of the 80s during Ronald Reagan gov...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/etcetera/article/view/31629 |
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| Sumario: | The article focus on the reflection about the ways in which Pose, a series firstly broadcasted by FX (and then available on Netflix streaming platform), questions the hegemonic mechanisms that set up the gender and identity order within the U.S. society by the end of the 80s during Ronald Reagan government. These deconstructive ways and gestures shake the foundation over which the cisheteronormative matrix sustains itself, and it also propose a countersexual society, in which desire is released (at least it tries to) out of the strictest socio-cultural ties limiting it. Otherwise, it will be analyzed the VIH-Aids representation in the series, and how it may be read as a denouncement of neoconservative and neoliberal policies, which put a blind eye on the pandemic and submitted thousands of lives to the most disastrous abandonment and oblivion. |
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