Crime, sexuality and conurbano in José Celestino Campusano’s

This article examines the figures of crime and sexuality within Argentine cinema with the interest of reflecting on the way they construct images on certain bodies in narrative processes that expose the subjects represented in contiguity with ideas of the cultural order. These are symbolic procedure...

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Autor principal: Martinelli, Lucas Sebastián
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2021
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Acceso en línea:https://revistas.unc.edu.ar/index.php/astrolabio/article/view/27470
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id I10-R10article-27470
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Crime
Sexuality
Argentine cinema
José Celestino Campusano
Cine argentino
Conurbano
Sexualidad
Crimen
spellingShingle Crime
Sexuality
Argentine cinema
José Celestino Campusano
Cine argentino
Conurbano
Sexualidad
Crimen
Martinelli, Lucas Sebastián
Crime, sexuality and conurbano in José Celestino Campusano’s
topic_facet Crime
Sexuality
Argentine cinema
José Celestino Campusano
Cine argentino
Conurbano
Sexualidad
Crimen
author Martinelli, Lucas Sebastián
author_facet Martinelli, Lucas Sebastián
author_sort Martinelli, Lucas Sebastián
title Crime, sexuality and conurbano in José Celestino Campusano’s
title_short Crime, sexuality and conurbano in José Celestino Campusano’s
title_full Crime, sexuality and conurbano in José Celestino Campusano’s
title_fullStr Crime, sexuality and conurbano in José Celestino Campusano’s
title_full_unstemmed Crime, sexuality and conurbano in José Celestino Campusano’s
title_sort crime, sexuality and conurbano in josé celestino campusano’s
description This article examines the figures of crime and sexuality within Argentine cinema with the interest of reflecting on the way they construct images on certain bodies in narrative processes that expose the subjects represented in contiguity with ideas of the cultural order. These are symbolic procedures that, by linking concrete bodies with practices and behaviors through the audiovisual register, establish social reproduction parameters. The position of the camera does not answer the question of the relevance of adopting the perspective of the victim or the perpetrator, but involves reflecting on the way in which appearance of a precise face and body in multiplication and contiguity (with aspects that imaginatively connect class, ethnicity, and gender) is linked to a referentiality that repeats or reverse a process of social affirmation. With a methodology that takes up the practices of cinematographic analysis, the tools of art historiography, and the proposals of political philosophy as a background for certain theoretical concerns, these problems are developed from a journey through the notions about genre cinema, some contemporary films that portray the conurbano, and particularly the cinema of José Celestino Campusano.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2021
url https://revistas.unc.edu.ar/index.php/astrolabio/article/view/27470
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