Imagined Maternity in Aloma and Carrer de les camèlies, of Mercè Rodoreda

As it has been indicated by critical readers of Mercè Rodoreda (María Asunción Gómez, Jaume Martí-Olivella y Geraldine Nichols, to name just a few), motherhood and mothers are important figures in her work. In Aloma (1938, rewritten in 1968 and republished in 1969) and El carrer de les Camèlies (196...

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Autor principal: Jersonsky, Eva
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/24850
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id I10-R10article-24850
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic espacios
figuración
imaginación
maternidad
Rodoreda
spaces figurations
imagination
motherhood
Rodoreda
spellingShingle espacios
figuración
imaginación
maternidad
Rodoreda
spaces figurations
imagination
motherhood
Rodoreda
Jersonsky, Eva
Imagined Maternity in Aloma and Carrer de les camèlies, of Mercè Rodoreda
topic_facet espacios
figuración
imaginación
maternidad
Rodoreda
spaces figurations
imagination
motherhood
Rodoreda
author Jersonsky, Eva
author_facet Jersonsky, Eva
author_sort Jersonsky, Eva
title Imagined Maternity in Aloma and Carrer de les camèlies, of Mercè Rodoreda
title_short Imagined Maternity in Aloma and Carrer de les camèlies, of Mercè Rodoreda
title_full Imagined Maternity in Aloma and Carrer de les camèlies, of Mercè Rodoreda
title_fullStr Imagined Maternity in Aloma and Carrer de les camèlies, of Mercè Rodoreda
title_full_unstemmed Imagined Maternity in Aloma and Carrer de les camèlies, of Mercè Rodoreda
title_sort imagined maternity in aloma and carrer de les camèlies, of mercè rodoreda
description As it has been indicated by critical readers of Mercè Rodoreda (María Asunción Gómez, Jaume Martí-Olivella y Geraldine Nichols, to name just a few), motherhood and mothers are important figures in her work. In Aloma (1938, rewritten in 1968 and republished in 1969) and El carrer de les Camèlies (1966) this topic becomes particularly interesting because the relationship between mother and son or daughter never appears in the diegesis, it’s an “imagined motherhood”. This figurations of the future child intertwine constantly with the imagination of the space in a movement of approach and distancing in different levels, generating an intersection between domestic and urban spaces and female body thresholds. Focusing on critical places and moments (pregnancies, abortions), we will be able to observe how these two aspects put the protagonists and their imagination in motion.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2019
url https://revistas.unc.edu.ar/index.php/recial/article/view/24850
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