Race, national culture and anticolonials heterotopías in mexican (in)documentado by Guillermo Gómez-Peña

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This paper proposes a reading of the work of performance artist Guillermo Gómez-Peña, particularly of the Mexican (In) Documentado (2017) that took place in 2017 at the Museum of Modern Art in Mexico City. We analyze some of the records of its most representative actions. Our reading approaches main...

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Autor principal: Silva Cantoni, Marcelo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2019
Materias:
race-raciality-nation-colonialism-heterotopias
raza-racialidad-nación-colonialismo-heterotopías
Acceso en línea:https://revistas.unc.edu.ar/index.php/intersticios/article/view/24527
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
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record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic race-raciality-nation-colonialism-heterotopias
raza-racialidad-nación-colonialismo-heterotopías
spellingShingle race-raciality-nation-colonialism-heterotopias
raza-racialidad-nación-colonialismo-heterotopías
Silva Cantoni, Marcelo
Race, national culture and anticolonials heterotopías in mexican (in)documentado by Guillermo Gómez-Peña
topic_facet race-raciality-nation-colonialism-heterotopias
raza-racialidad-nación-colonialismo-heterotopías
author Silva Cantoni, Marcelo
author_facet Silva Cantoni, Marcelo
author_sort Silva Cantoni, Marcelo
title Race, national culture and anticolonials heterotopías in mexican (in)documentado by Guillermo Gómez-Peña
title_short Race, national culture and anticolonials heterotopías in mexican (in)documentado by Guillermo Gómez-Peña
title_full Race, national culture and anticolonials heterotopías in mexican (in)documentado by Guillermo Gómez-Peña
title_fullStr Race, national culture and anticolonials heterotopías in mexican (in)documentado by Guillermo Gómez-Peña
title_full_unstemmed Race, national culture and anticolonials heterotopías in mexican (in)documentado by Guillermo Gómez-Peña
title_sort race, national culture and anticolonials heterotopías in mexican (in)documentado by guillermo gómez-peña
description This paper proposes a reading of the work of performance artist Guillermo Gómez-Peña, particularly of the Mexican (In) Documentado (2017) that took place in 2017 at the Museum of Modern Art in Mexico City. We analyze some of the records of its most representative actions. Our reading approaches mainly on how certain racial constructions are questioned and problematized, along with a national imaginary and narratives that justify and enable exclusionary practices and discourses in the United States, or in Latin America. We attend to a study of the “archive” (Taylor) of Gómez-Peña's actions as counter-discourses and resistance practices against a racist system that he recognizes as colonialist. We start from the hypothesis that his artistic actions promote the creation of spaces of autonomy and resistance that, from a Foucaultian reading, we recognize as "anti-colonial heterotopias". This spaces are political places of enunciation from which it is possible to dismantle certain narratives, regimes of visibility, devices and imaginary that respond to a colonial system. For our argumentation, we return to contributions and readings of different critical theories of colonialism.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2019
url https://revistas.unc.edu.ar/index.php/intersticios/article/view/24527
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bdutipo_str Revistas
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