Un final feliz : literary criticism, between the end of analysis and the end of literature

The present study introduces a survey of two different critical approaches to the work of Gabriela Liffschitz –precisely, articles by Paola Cortés Rocca and Alberto Giordano–, as well as the theoretical frames with which they dialogue, in order to highlight their explanatory inadequacies. Then, an i...

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Autor principal: Lopez, Rodrigo
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2018
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Acceso en línea:https://revistas.unc.edu.ar/index.php/recial/article/view/22862
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id I10-R10article-22862
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic crítica
giro autobiográfico
posautonomía
psicoanálisis
Un final feliz
criticism
autobiographical turn
postautonomy
psychoanalysis
Un final feliz
spellingShingle crítica
giro autobiográfico
posautonomía
psicoanálisis
Un final feliz
criticism
autobiographical turn
postautonomy
psychoanalysis
Un final feliz
Lopez, Rodrigo
Un final feliz : literary criticism, between the end of analysis and the end of literature
topic_facet crítica
giro autobiográfico
posautonomía
psicoanálisis
Un final feliz
criticism
autobiographical turn
postautonomy
psychoanalysis
Un final feliz
author Lopez, Rodrigo
author_facet Lopez, Rodrigo
author_sort Lopez, Rodrigo
title Un final feliz : literary criticism, between the end of analysis and the end of literature
title_short Un final feliz : literary criticism, between the end of analysis and the end of literature
title_full Un final feliz : literary criticism, between the end of analysis and the end of literature
title_fullStr Un final feliz : literary criticism, between the end of analysis and the end of literature
title_full_unstemmed Un final feliz : literary criticism, between the end of analysis and the end of literature
title_sort un final feliz : literary criticism, between the end of analysis and the end of literature
description The present study introduces a survey of two different critical approaches to the work of Gabriela Liffschitz –precisely, articles by Paola Cortés Rocca and Alberto Giordano–, as well as the theoretical frames with which they dialogue, in order to highlight their explanatory inadequacies. Then, an interdisciplinary intersection with psychoanalytic theory is proposed, which enables critical considerations able to approach the productions in question, as well as to give an approach of its own epistemological presuppositions and to delimitate the literary specificity of its object of study. Around the concept of sublimation, according to Leo Bersani and Carlos Kuri, first, and to the aesthetic-lacanian considerations of Massimo Recalcati, then, a critical path is drawn, which finds, in the singularity of each text and photographic series, a properly literary way of questioning an intermedial artistic practice like Liffschitz’s. Finally, the notion of author iconography, by Jean-Luc Nancy, allows a conclusive synthesis of the conceptual reflections traced during the study.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2018
url https://revistas.unc.edu.ar/index.php/recial/article/view/22862
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