New Argentine Cinema and New Cordobés Cinema: Contextual elements of both phenomena, and formal traits in the representative films: Pizza, birra, faso y De caravana
In the present paper, I adress the analysis of two argentinian films that were pioneering of the movements called Nuevo Cine Argentino and Nuevo Cine Cordobés. The hyphotesis that I am try to maintain refers to the difficulty of reaching agreement between critics, filmmakers and audiency about the c...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2017
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/17209 |
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| Sumario: | In the present paper, I adress the analysis of two argentinian films that were pioneering of the movements called Nuevo Cine Argentino and Nuevo Cine Cordobés. The hyphotesis that I am try to maintain refers to the difficulty of reaching agreement between critics, filmmakers and audiency about the consistency of these movements. Also, I am taking into account the concepts about the novelty, the represented worlds and the esthetic decisions in wich film. I turn to theorical texts on specific papers where it is exposed the discussion. In this way, I am trying to expose the context of the particular films analyzed. |
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