Cartography of the technological imagination. Poetic-political archive of the 20th century in Argentina.

Technics and art are two dimensions that open a wide range of problems and areas of theorization that goes over the entire field of human sciences.  The twentieth century has been a period in which both spheres have constantly strained regional political configurations from the specific functions of...

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Autor principal: Mallamaci, Marco Germán
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2017
Materias:
art
Acceso en línea:https://revistas.unc.edu.ar/index.php/intersticios/article/view/17022
Aporte de:
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record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic technology
art
poetics
tecnología
arte
poética
spellingShingle technology
art
poetics
tecnología
arte
poética
Mallamaci, Marco Germán
Cartography of the technological imagination. Poetic-political archive of the 20th century in Argentina.
topic_facet technology
art
poetics
tecnología
arte
poética
author Mallamaci, Marco Germán
author_facet Mallamaci, Marco Germán
author_sort Mallamaci, Marco Germán
title Cartography of the technological imagination. Poetic-political archive of the 20th century in Argentina.
title_short Cartography of the technological imagination. Poetic-political archive of the 20th century in Argentina.
title_full Cartography of the technological imagination. Poetic-political archive of the 20th century in Argentina.
title_fullStr Cartography of the technological imagination. Poetic-political archive of the 20th century in Argentina.
title_full_unstemmed Cartography of the technological imagination. Poetic-political archive of the 20th century in Argentina.
title_sort cartography of the technological imagination. poetic-political archive of the 20th century in argentina.
description Technics and art are two dimensions that open a wide range of problems and areas of theorization that goes over the entire field of human sciences.  The twentieth century has been a period in which both spheres have constantly strained regional political configurations from the specific functions of technology, and from the nodes that this one has generated with arts. This paper presents a review of the book Tecnopoéticas Argentinas: archivo blando de arte y tecnología; where the transdisciplinary research group, coordinated by Claudia Kozak, approaches the intersection between the poetic/political, the technical world and the history in the Argentine context of the twentieth century.  The book lets to construct routes through an archive that shows how arts have shaped paradoxical grammatical forms taking electricity, valves, screens, telecommunications, softwares and the cyberspace as poetic elements.  It is an archive presented from a particular structure that permits transversal readings where are visible the curves and political meanings of links between art and technology in the Argentine context.
publisher Centro de Investigaciones de la Facultad de Filosofía y Humanidades
publishDate 2017
url https://revistas.unc.edu.ar/index.php/intersticios/article/view/17022
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