The Surviving Love of Marguerite Duras

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After ten years of working on the documentary genre, director Alain Resnais is asked to work on a production which deals with the cruelty of war and the deadly effects of the atomic bomb in Hiroshima. But he changes the project and decides to make a film. He, therefore, chooses Marguerite Duras, scr...

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Autor principal: Suárez, Claudia
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones y Estudios sobre Cultura y Sociedad 2016
Materias:
Hiroshima mon amour
Psicoanálisis
Objeto petit a
Amor
Duelo
Psychoanalysis
Object petit a
Love
Mourning
Acceso en línea:https://revistas.unc.edu.ar/index.php/eticaycine/article/view/16496
Aporte de:
Revistas de la UNC de Universidad Nacional de Córdoba
id I10-R10article-16496
record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-10
container_title_str Revistas de la UNC
language Español
format Artículo revista
topic Hiroshima mon amour
Psicoanálisis
Objeto petit a
Amor
Duelo
Hiroshima mon amour
Psychoanalysis
Object petit a
Love
Mourning
spellingShingle Hiroshima mon amour
Psicoanálisis
Objeto petit a
Amor
Duelo
Hiroshima mon amour
Psychoanalysis
Object petit a
Love
Mourning
Suárez, Claudia
The Surviving Love of Marguerite Duras
topic_facet Hiroshima mon amour
Psicoanálisis
Objeto petit a
Amor
Duelo
Hiroshima mon amour
Psychoanalysis
Object petit a
Love
Mourning
author Suárez, Claudia
author_facet Suárez, Claudia
author_sort Suárez, Claudia
title The Surviving Love of Marguerite Duras
title_short The Surviving Love of Marguerite Duras
title_full The Surviving Love of Marguerite Duras
title_fullStr The Surviving Love of Marguerite Duras
title_full_unstemmed The Surviving Love of Marguerite Duras
title_sort surviving love of marguerite duras
description After ten years of working on the documentary genre, director Alain Resnais is asked to work on a production which deals with the cruelty of war and the deadly effects of the atomic bomb in Hiroshima. But he changes the project and decides to make a film. He, therefore, chooses Marguerite Duras, screenplay writer and filmmaker. The result is the famous film Hiroshima mon amour (1959), which constitutes her debut. According to Marguerite, the main purpose of the film was to stop describing the “horror for its own sake”. To do so, the film describes a love story out of the ordinary: the leading lady will remember her first love and its tragic ending. The writer highlights the experience of not dying of love, showing in detail a path that goes from shadows to light and links reflections on Hiroshima (death) to love (life). The title of this work highlights the surviving love and its content relates Marguerite’s creation, especially that love story, to some of the concepts that we work in psychoanalysis, such as: the “petit a” object, and love and mourning, the latter being a necessary element “not to die of love”.
publisher Centro de Investigaciones y Estudios sobre Cultura y Sociedad
publishDate 2016
url https://revistas.unc.edu.ar/index.php/eticaycine/article/view/16496
work_keys_str_mv AT suarezclaudia thesurvivingloveofmargueriteduras
AT suarezclaudia elamorsupervivientedemargueriteduras
AT suarezclaudia survivingloveofmargueriteduras
bdutipo_str Revistas
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