Non-discursive creation: painting/film
This paper addresses a thematic particular linked to Michel Foucault´ and Gilles Deleuze´s concerns, in order to investigate the way in which film –in a cartography closed to other arts– shows and tells. Following Deleuze, the act of creation is inextricably linked to a mode of expression, to a fiel...
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2013
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Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/9327 |
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I10-R10-article-93272020-11-01T03:56:49Z Non-discursive creation: painting/film La creación no discursiva: pintura/cine Giménez Hermida, Marcelo Adrián Cine Pintura Práctica artística Visibilidades Enunciados Cinema Painting Artistic practice Visibilities Énoncés This paper addresses a thematic particular linked to Michel Foucault´ and Gilles Deleuze´s concerns, in order to investigate the way in which film –in a cartography closed to other arts– shows and tells. Following Deleuze, the act of creation is inextricably linked to a mode of expression, to a field, a discipline –in short, a practice–. In this context, our goal is to discover some unique creative operations –that is, proper, exclusive– of which, almost without a doubt, can be estimated a capital object for our culture. We thus explore certain existing links between film and painting on the horizon traced by these thinkers. Este escrito se aboca a una temática particularmente enlazada a las preocupaciones de Michel Foucault y Gilles Deleuze, en pos de indagar la manera en que el cine, sobre una cartografía que le avecina otros haceres artísticos, vincula lo que muestra y lo que enuncia. Si, como postula Deleuze, el acto de creación está indisolublemente ligado a un modo de expresión, a un campo, a una disciplina —en fin, a una práctica—, en tanto nuestra meta es descubrir algunas operaciones creativas singulares —esto es, propias, exclusivas— del que, casi sin dudas, puede ser estimado un objeto capital para nuestra cultura, discurrimos aquí ciertos lazos existentes entre cine y pintura en el horizonte trazado por estos pensadores. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2013-10-26 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/9327 Toma Uno; No. 2 (2013): El cine y las otras artes; 61-73 TOMA UNO; Núm. 2 (2013): El cine y las otras artes; 61-73 2250-4524 2313-9692 10.55442/tomauno.n2.2013 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/9327/10049 |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-10 |
container_title_str |
Revistas de la UNC |
language |
Español |
format |
Artículo revista |
topic |
Cine Pintura Práctica artística Visibilidades Enunciados Cinema Painting Artistic practice Visibilities Énoncés |
spellingShingle |
Cine Pintura Práctica artística Visibilidades Enunciados Cinema Painting Artistic practice Visibilities Énoncés Giménez Hermida, Marcelo Adrián Non-discursive creation: painting/film |
topic_facet |
Cine Pintura Práctica artística Visibilidades Enunciados Cinema Painting Artistic practice Visibilities Énoncés |
author |
Giménez Hermida, Marcelo Adrián |
author_facet |
Giménez Hermida, Marcelo Adrián |
author_sort |
Giménez Hermida, Marcelo Adrián |
title |
Non-discursive creation: painting/film |
title_short |
Non-discursive creation: painting/film |
title_full |
Non-discursive creation: painting/film |
title_fullStr |
Non-discursive creation: painting/film |
title_full_unstemmed |
Non-discursive creation: painting/film |
title_sort |
non-discursive creation: painting/film |
description |
This paper addresses a thematic particular linked to Michel Foucault´ and Gilles Deleuze´s concerns, in order to investigate the way in which film –in a cartography closed to other arts– shows and tells. Following Deleuze, the act of creation is inextricably linked to a mode of expression, to a field, a discipline –in short, a practice–. In this context, our goal is to discover some unique creative operations –that is, proper, exclusive– of which, almost without a doubt, can be estimated a capital object for our culture. We thus explore certain existing links between film and painting on the horizon traced by these thinkers. |
publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
publishDate |
2013 |
url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/9327 |
work_keys_str_mv |
AT gimenezhermidamarceloadrian nondiscursivecreationpaintingfilm AT gimenezhermidamarceloadrian lacreacionnodiscursivapinturacine |
first_indexed |
2022-08-20T01:14:42Z |
last_indexed |
2022-08-20T01:14:42Z |
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1770718068872314880 |